remix = fetter bassiger techno , original = old skool bad boy electro , yeah that a monster

finest timeless deep detroit techno groover

strong big hardgrooves with electic basslines and great sphere break ...

after 4 wicked releases with impressive sales it is time for hertz to enter on his own label. the a-side is nothing else than a funky techno hit. you will recognize the old 70s bass-sample, mostly known from s-express in the 80s. with a full on arrangement and a great break, this is a guarantied anthem. on the flip you will find a massive tune, with a fat driving loop working in 130 bpm !!

the original moves from left to the right, up and down and back again with its lushious electric bassline, cleverly edited percussion and fresh vibe !! on the flip you will find another swedish producer whos also capable of injecting a firm groove with an extra turbo boost to get the show on the road !

knallfetter tribal techno

ultraphat serious retro - sound techno(early 90s, remember la styles james is dead or t99s anastasia) montana re- edit, plus stunning hertz - original!! hot shot

superphat groovin techno // incl marco nastic remix

ultraphat pumpin bassheavy techno !!

two new hot mixes of this hertz classic 'breaker' track.. bryan cox makes a true anthem mix and highland beats labelboss liefhebber vs nimbus are doing a twisted techno funk mix..

ultraphat harder percussive funky techno action with rowdy sparks & dj preach mixes!!

limited pressing!! stompin bassheavy techno remixes by ignition technician, christian fischer & dj murphy, alexander koning, darren kay

ultraphat hypnotic harder tribal techno !!

well known techno label tortureds remix offshoot label 'painkillers' releases there 2nd release to date with remixes by up n coming euro techno stars hertz (sweden) and gaetano parisio (italy) . already being caned by the various members of the global techno mafia. such as the likes of b nasty, c cox ,a beyer, c liebing

adam beyer deliver a stunning remix. the remix pumped up with a roaring bass-pattern and mental stabs! the original monster track as featured on the b-side is also reconstructed by beat disasters eric sneo

ultraphat kickin technostomper !

phat rmx by tobias van hofsten, devilfish, hertz & johan bacto...sure shot

energetic techno workout from beau didier & isaiah for frenzy.

reissue

slam rework nitzer ebb, silent breed, terrence fixmer and hertz for the final installment of their archive edit series. repress incoming!

a collection of lost recordings from krishna goineau.

chloé’s electronics meet vassilena serafimova’s percussions.

vinyl only pressing

hypnotic mindscapes vol. 1 erforscht die grenzräume, in denen elektroparanoia auf techno-euphorie der 90er jahre trifft.

ltd 2020 repress !! tj hertzs first original release since 2014s critically acclaimed flatland lp comes in the form of objekt #4, a continuation of his club-focused white label series and a tribute to the sadly now defunct basement q, a formative and beloved haunt in berlin’s schöneberg district which quietly but profoundly shaped the musical identities of hertz and several of his contemporaries until its final closure in 2012.
the two tracks on objekt #4 pay tribute to two of the many musical facets of basement q in its later years. a-side “needle and thread” aims to condense several hours of a thursday night in the basement into 9 minutes and 26 seconds, embellishing a hypnotic rolling techno backbone with hyper-detailed atmospherics, enchanting melodies and tight, strident breakbeats. b-side “theme from q” is hertz’s reinterpretation of a basement q anthem, owner and founder dj bogdan’s own “love inna basement (morning dub)”, which never saw an official release despite providing the soundtrack to over 20 years of late morning love-ins in the cellar underneath the sattler & söhne glue factory. together, the two tracks offer an incomplete but nonetheless seductive illustration of one of the most idiosyncratic and overlooked clubs in berlin’s recent history.

special priced uncage pack incl tracks and remixes by marco faraone, skudge, regen, marcel fengler and more

steinlach is back on vinyl with a fine remix package.

20th anniversary edition on yellow vinyl in die cut sleeve.

a fatboy slim classic remixed by friction.

2016er vinyl compilation, previous unreleased via decks.de

for fans of delsin and neo ouija

det ar grymt i norr is a compilation of exclusive tracks by artists reflecting the contemporary swedish underground electronic music scene: alvar, celldod, dissocio modus trans, hjarnkultur, agent side grinder, kinder aus asbest, aemit and yabibo hazurfa (special scandinavian letters not included). the title of the compilation, swedish for it s grim up north describes the atmosphere perfectly - in swedish, grymt also means cool. the gloomy cover was designed by erik soderberg. subtitled swedish synthetic darkness, the music on the album is intense, hard and cold at first listen but boiling with emotions underneath the surface. expect industrial, ebm, coldwave, acid and everything on the spectrum between electro and ambient. thank you for the music.

mannequin records is proud to present a trilogy of reissues from the avantgarde italian-born producer doris norton, “norton computer for peace” (1983), “personal computer” (1984), “artificial intelligence” (1985).

imre kiss presents crisis 001. the budapest-based artist ushers in the next phase of the party and dj collective that has been reshaping the hungarian music landscape since its inception in early 2016. the label’s inaugural release, ad astra, represents the fruits of a collaboration that has been a long time in the making. kiss, fresh off the back of his evolutionary strangers ep on mörk, partners with compatriot norwell, who is following up a prolific 2017 – one in which helena hauff named his odd ep her favourite record of the year.

hybris is a state of dissoluteness, of loss of control, of greed and of lustfulness. following that motto, wice takes his listeners on a journey through a hybristic process on his second steinlach ep, which chooses an enchanting and euphemistic entrance into hybris with absent (no aggression). gentle pads create a peaceful and dreamy world that is turned into a fascinating landscape of sound by trippy drums and dopey synths and so pushes wide open the gate to hybris. the threateningly booming hb11 then finally enters the state of hybris: synths and drums pump adrenaline in heads and bodies, dancing turns into greed, the complete lack of control sets in. that lack of control riots towards its peak with the eponymous hybris, which tears the listener in technoid and gritty manner into the abyss of hybris and holds him captive down there. hybris is followed by nemesis, the divine punishment ending in death: wice interprets this transition towards nemesis with hertz, a playful and breaky good-night kiss, which feels pretty damn good and resonates bittersweetly.

the talents of enei and critical boss kasra combine once more to kick off 2018. with the infamous jakes on title track vocal duty, the transmitter ep rolls out four pieces of low-slung, sci-fi drum & bass designed for darkened rooms across the world.
the vinyl release includes a download code.

thalab effortlessly weave through intricate textures, bold soundscapes, and an original take on influences from their hometown in their songwriting and production. in addition to previously released singles 2 sails, away, and morning before my plant dies, the new record is a sultry, downtempo stunner that completes the four track ep in proper fashion. mixed by joe hertz. 200 limited promos to support the bands forthcoming tour.

tommy vicari jnr is back with his 76-79 moniker with three new killer club cuts. the ep features some heavy duty material including a previously unheard remix of 57 hertz which has been dug deep from the vaults of the sheffield producers basement

adam beyers drumcode juggernaut attracts more fans and critical plaudits with each passing year. holding firm on its future facing ethos, techno s number one label presents a new volume in its acclaimed a-sides series with 20 prime tracks to signify its 20th anniversary. such is the volume of quality music adam beyer receives throughout the course of the year, releasing all of it would be impossible. enter the blue chip a-sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn t fit in their regular ep release schedule. with an eye on future talent, as much as the label s established roster of heavy-hitters, the compilation showcases the full breadth of drumcode s multifaceted techno sound, equal parts inspiring and functional. the compilation takes in exciting highlights from big guns such as alan fitzpatrick, dustin zahn, bart skils, pleasurekraft, luca agnelli, jay lumen, kaiserdisco and gary beck. also showcasing emerging techno talent boxia, enrico sangiuliano, juan sanchez, ian o donovan and timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.

die form is a french post-industrial and electronic band formed in 1977-1978. the name die form means (the) form/shape in german and is a play on the english homonym deformed and on the french homonym difforme (deformed). die form is the primary project of electronic musician and multimedia artist philippe fichot. he began by recording a number of experimental cassette releases in the late 1970s and formed the bain total label to release these early cassettes, as well as various side projects such as krylon hertz, camera obscura, eva-johanna reichstag, hurt and fine automatic.

over the course of four albums, manchester based trumpeter, composer, arranger and band-leader matthew halsall has carved out a niche for himself on the uk music scene as one of it s brightest talents. his languid, soulful music has won friends from jamie cullum and gilles peterson to jazz fm and mojo as well as an ever-growing international following. his label gondwana records is home to gogo penguin and his own albums have found halsall exploring the modal jazz of john and alice coltrane, paying tribute to the hard bop of the late ’50s and early ’60s or most recently on fletcher moss park drawing on eastern influences in his most personal statement yet. his latest album when the world was one is something of a companion piece to fletcher moss park (much of the music was written at the same time) but draws more explicitly on halsall’s love of spiritual jazz and eastern music as well as his own studies in meditation and travels in japan. beautifully recorded at hasall’s favourite studio, 80 hertz in manchester, and engineered by brendan williams and george atkins it features the recording debut of halsall’s large ensemble, the gondwana orchestra, which utilises the exotic flavours of harp, koto and bansuri flute and eastern scales to create a global palate for halsall’s life-affirming sounds.

hammer & michel live aus der philipshalle, düsseldorf am 16.10.2014. pressung auf schwerem 180 gramm doppelvinyl, inklusive downloadcode für alle tracks.

3 big records combined in one package

this reissue comprises the entire 1991 matter lp, as well a bonus 7inch record containing 2 tracks never before released on vinyl. all songs on >matter< were recorded and mixed by tobias freund (pink elln). all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the vinyl is housed in a jacket featuring the photographic traces of a high-energy photon hitting a proton. each lp includes a 2-sided insert with original album reviews, press clippings, liner notes by atom and photos.

strong techno on a global level featuring swedish producer petter b who is originally known for his work under the name hertz years ago now joins the roster and throws down two big room bombs that have been getting strong play in all the major clubs. on the flip side ukrainian producer rhomb returns to form with two cuts one deep and one jackin that make this ep a real killer, dont sleep on this. tip from beyond!

the label from the bunker, new york, kicks off with a long-awaited debut ep from leisure muffin, aka michael hopkins, a regular attendee and performer at the party since it first originated in 2003. check!

the new >5 seiten ep< by 60 hertz contains plays with the space in which it is meant to be played. corners. in a three-dimensional room. six two-dimensional surfaces. twelve edges, four sides the same length – parallel to each other. well, thats the theory. from outside one can only see edges, yet it is well curved inside. at first sight you wouldnt get it. you only see what you figure out. the question is - how deeply can you discover a space you dont understand? a fifth level, a fifth surface, a fifth side.

summer is not ending with this one. from the alps and franconian rome with love